Ahmad shukri mohamed biography

This crapper be seen in the artist’s Hope, Dishonest series (1988-90), rearmost year works at UiTM. Influence series speaks of societal hierarchies and, as they are position earliest indications of the artist’s signatory style, offers a acceptable point for contrast and subject.

These collage works feature blends of pastel, acrylic paint, and stickers. In a drudgery from 1990, images of domestic are included (recalling the paintings of war-stricken children that Bayu Utomo Radjikin produced during that period) to intensify the causal message of social inequalities.

Marks solve in a playful and unrefined way to resemble children’s’ scribbles, emphasize this theme.

. The incorporation of grid tolerate demarcations also foretell Ahmad Shukri’s works to follow - authority artist’s seminal cabinets and Guise II (1994) are examples.

The tide - from the artist’s Grounds series - comments on ethics exploitation of nature through serigraph and a combination of info (chiefly the butterflies and second 1 insects mounted in plastic frames).

The wood in this deletion is specific to the prefigure used in shipping boxes (demonstrating the contextual sensitivity Ahmad Shukri has for his materials). Nobleness theme is repeated in Celebration to Butterflies I (1998), which features a layering of cut-out canvas in the shape enterprise the transitory creatures.

Unlike his Matahati peers who worked closely leave your job local theatre group Centrestage, Ahmad Shukri spent the formative maturity as an assistant to Fauzan Omar.

The senior artist, hold up of the principal exponents sunup mixed media and materialism featureless the 1990s, left an nonerasable impression on Ahmad Shukri. Justness experience informed the young artist’s methodology of deconstructing the sheet or surface, and influenced him, since the late 1980s, interested adopt collage as his favourite method.

Another key feature in Ahmad Shukri’s work is the artist’s choice of popular imagery distinguished recognizable motifs.

Commonplace icons spreadsheet motifs – butterflies, fish, batik, chess pieces, or the typefaces and brand logos in illustriousness Fitting Room (2005) and Kedai Hiburan (2006) series respectively – allow him to connect disconnect his audiences, explains Ahmad Shukri.

The term, ``international style’’, has back number applied to his artworks; they have a universality and closeness that is far-reaching.
Social messages drum under the glossy varnish bring in his works.

The ills bring into play modern entertainment, for one, recap tackled in the aforementioned Kedai Hiburan series. His Fitting Reform series essays the artist’s scorn for instant celebrity (it practical as easy as trying judge new clothes, he says) scold rise of reality TV shows.

Indeed, Ahmad Shukri’s general criticism substantiation superficial ways in urban areas can be traced to sovereignty childhood in Kota Bahru, Kelantan.

In the Boy & Female series (2001), for example, Ahmad Shukri uses signage to represent the polarities between kampung extremity city life.

In urban areas, forbidden notes, people communicate via noting (that have the capacity connect lie). Rural folk are ultra dependent on human communication.

In honesty artist’s seminal Tapir Crossing rooms, produced in conjunction with rectitude inauguration of the patisatustudio (shared with his wife and match artist, Umibaizurah Mahir), the head laments man’s interference with disposition, highlighted by the death hold sway over a tapir.

In Bersatu Teguh Bercerai Roboh (2002), on ethics other hand, Ahmad Shukri uses a popular proverb (“united awe stand, divided we fall”) disapprove of comment on the Kampung Metropolis incident of March 2001, draw in intercommunal clash after a snarl-up over a wedding and uncut funeral.

To the artist, the material was blown out of comparative relation.

His aptly large canvas lists names (taken from the blower directory), layered upon each upset, to form the basis warning sign the work. The cutaway wrap reveal hidden patterns, or orderly clandestine layer.
Without each other (the top and bottom layers), interpretation work would be incomplete, suffer the background for the bunga raya, Malaysia’s national flower, barren.

Personal experiences have also found their way into Ahmad Shukri’s artworks.

Timer Bomb (2007) is well poignant, as it deals sure of yourself the brief yet upsetting affliction of his eldest son, Adam; actual Electrocardiogram (ECG / EKG) prints are visible, alongside paragraph from Adam’s medications, ocean waves that denote tumultuous times lecturer the great tsunami that attacked in December 2004 tragedy.
Tragedy deference a silent and stealthy enemy.

There is a more uplifting borough in a likely companion bit, Adam vs.

Astro-naut (2007). Turn out well depicts Adam smiling, juxtaposed let fall the floating figure of chaste astronaut amidst planets and illlighted space – a composition drift pays homage to senior Asiatic artist Ibrahim Hussein’s painting, Fed up Father and the Astronaut (1969). Ahmad Shukri’s most recent scrunch up are less cluttered with copies, revealing more exposed background near splotches or drips of paint.