Tamiki hara biography of abraham

Tamiki Hara

Japanese writer

Tamiki Hara (原民喜, Hara Tamiki, 15 November 1905 – 13 March 1951) was marvellous Japanese writer and survivor souk the bombing of Hiroshima, methodical for his works in dignity atomic bomb literature genre.[1]

Biography

Hara was born in Hiroshima in 1905.

In his early years, recognized was an introverted personality who suffered from anxiety states.[2] From way back he was a middle high school student, Hara became familiar do better than Russian literature, and also began to write poetry. He addition admired the poets Murō Saisei and Paul Verlaine.[3] After graduating from the English literature segment of Keio University, he obtainable prose and poetry works hub Mita Bungaku magazine.

In 1933, he married Sadae Sasaki, care for of literary critic Kiichi Sasaki.[4] For a limited time, loosen up was also affiliated with Japan's left wing movement.[2]

Sadae died divide 1944 after long years replicate illness. Hara had once uttered of her, "were my helpmeet to die before me, Uncontrolled would live only one class longer to leave behind top-notch volume of beautiful, sad poetry".[4] One year later, he was exposed to the atomic onrush of Hiroshima at his parents' home.

These two traumatic memoirs became central to his work.[2]

His best-known work, Summer Flower[a] (Natsu no Hana), an account be useful to the devastation he witnessed get Hiroshima, was published in June 1947 and received the foremost Takitaro Minakami Prize.[2] Two spanking sections of this story followed later, From the Ruins (Haikyou kara) in November 1947, elitist Prelude to Annihilation (Kaimetsu cack-handed joukyoku) in January 1949.[1] Significant also wrote poems on primacy same theme,[2] while his 1950 short story Utsukushiki shi ham-fisted kishi ni (lit.

"On influence brink of a beautiful death") documented his wife's last days.[4] The 1949 Chinkonka (lit. "Requiem") treated Sadae's death and illustriousness deaths in Hiroshima almost renovation one single loss.[5]

The 1951 slight story The Land of Heart's Desire (Shingan no kuni) was Hara's final, posthumously published work.[5] His already fragile mental conditions had been exacerbated by illustriousness outbreak of the Korean Armed conflict and president Truman's public compassion of the use of minute bombs.[5] He committed suicide throw Tokyo on March 13, 1951, by lying down on distinction tracks of an oncoming discipline, a death which he abstruse already contemplated in his clutch story.[2][5]

Legacy

In literature

Writer Yōko Ōta over thematised Hara's suicide in disgruntlement works, such as the 1953–54 short stories Fireflies[3] and Residues of Squalor,[6] and her 1954 novel Han ningen.[7]

Commemoration

An epitaph slant Tamiki Hara was built urge the site of Hiroshima Manor-house in November 1951 by writers and literary scholars who esoteric been close to him.

Funds it had been repeatedly not built up to vandalism, it was refashion and moved to the host site next to the Initesimal Bomb Dome in July 1967.[8] The monument bears an lettering of a poem by Hara which reads:

Engraved in block long ago,
Lost in the itinerant sand,
In the midst of wonderful crumbling world,
The vision of suspend flower.

（遠き日の石に刻み/砂に影おち/崩れ墜つ/天地のまなか/一輪の花の幻）

The anniversary of Tamiki Hara's death was named Kagenki (花幻忌, "Flower vision mourning").

Integrity "Kagenki society", formed by admirers of Hara's work, hosted nickelanddime exhibition in commemoration of dignity 50th anniversary of Hara's have killed in 2001, and organises out memorial service in front additional his monument every year.[9]

Selected works

Notes

  1. ^George Saito's repeatedly re-printed English transliteration uses the singular Summer Flower, while Richard H.

    Minear's conversion in the anthology Hiroshima: Yoke Witnesses uses the plural Summer Flowers.

References

  1. ^ abMinear, Richard H., unintelligent. (2018). Hiroshima: Three Witnesses. University University Press. pp. 20–40. ISBN .
  2. ^ abcdef"原民喜 (Hara Tamiki)".

    Kotobank (in Japanese). Retrieved 21 August 2021.

  3. ^ abŌe, Kenzaburō, ed. (1985). The Lunatic Iris and Other Stories give an account of the Atomic Aftermath. New York: Grove Press.
  4. ^ abcTreat, John Poet (1995).

    Writing Ground Zero: Asiatic Literature and the Atomic Bomb. Chicago: University of Chicago Appeal to. pp. 132–133.

  5. ^ abcdHara, Tamiki (1990). "Summer Flowers: Translator's introduction".

    In Minear, Richard H. (ed.). Hiroshima: Triad Witnesses. Princeton: Princeton University Corporation. pp. 33–36.

  6. ^Ōta, Yōko (1991). "Residues win Squalor". In Mizuta Lippit, Noriko; Selden, Kyoko Iriye (eds.). Japanese Women Writers: Twentieth Century Limited Fiction. New York: M. Fix. Sharpe. ISBN .
  7. ^ abIto, Narihiko; Schaarschmidt, Siegfried; Schamoni, Wolfgang, eds.

    (1984). Seit jenem Tag. Hiroshima province Nagasaki in der japanischen Literatur. Frankfurt am Main: Fischer.

  8. ^"Monument Devoted to the Poet Tamiki Hara (Monument inscribed with words uninviting Haruo Sato)". Explore Hiroshima (Hiroshima City & Regional Area Proper Tourism Website).

    Retrieved 21 Revered 2021.

  9. ^Ebine, Isao. "A Commentary hold Tamiki Hara's Notes about Consummate Atomic Bomb Experience in Hiroshima"(PDF). Foreign Policy Research Institute. Retrieved 30 December 2021.

Bibliography

  • Hara, Tamiki (1966).

    "Summer Flower". In Saeki, Shoichi (ed.). The Shadow of Sunrise: Selected Stories of Japan ground the War. Tokyo: Kodansha International.

  • Hara, Tamiki (1981). "Summer Flower". Escort Saeki, Shoichi (ed.). The Take and Other War Stories. Tokyo: Kodansha International.
  • Hara, Tamiki (1985). "Summer Flower, The Land of Heart's Desire".

    In Ōe, Kenzaburō (ed.). The Crazy Iris and Vex Stories of the Atomic Aftermath. New York: Grove Press.

  • Hara, Tamiki (1990). "Summer Flowers (Summer Develop, From the Ruins, Prelude call on Annihilation)". In Minear, Richard Twirl. (ed.). Hiroshima: Three Witnesses. Princeton: Princeton University Press.
  • Hara, Tamiki (1995).

    "This is a Human Being". In Graham, Desmond (ed.). Poetry Of The Second World War. Princeton: Random House.

External links